Sounds - Production to Publishing
Creating high-quality field recordings and producing soundscapes with authentic animal sounds is one of the most challenging aspects of documentary production. In this article, I describe my approach to handling different recording situations.
Last changed on 2024-12-15
Microphones & Recorders
I use four different setups:
- H4n Pro - Soundscape, ambient sound
- Behringer C2, pair, connected to Zoom 3 - Stereo soundscape
- NTG-2 connected to Zoom 3 - Sound of animals
- DJI Mic - Live stream
Production
For soundscape recordings, I use the H4n Pro on a small tripod positioned near the primary sound source of the location. It's important to note that the H4n Pro only saves the file after recording has stopped. To ensure I capture enough audio, I typically record for 5–10 minutes, then stop and restart the recording.
For directional recordings of animal sounds, I use the Rode NTG-2 shotgun microphone connected to the Zoom F3, aimed at the primary sound source. Both the microphone and the Zoom F3 are mounted on a Joby Gorilla tripod.
For live streams, I use the DJI Mic connected to the iPhone via its receiver.
The primary challenge of field recording in the Montreal area is the noise from nearby highways. There is no location on or around Montreal Island where you can escape the constant rumble of traffic. For higher-quality recordings, I prefer to capture soundscapes early in the morning or at remote locations outside the Montreal area.
Post-Production
All files are manually transferred from the recording device to the computer via USB and organized into folders by date. The files are then edited in DaVinci Resolve Fairlight. Soundscape recordings are edited independently of video footage, as they don't correspond to on-screen action. Shotgun recordings, however, are synchronized with video footage either automatically or manually using waveforms.
In the initial editing round, all unwanted sounds, such as equipment handling, footsteps, nearby conversations, airplanes, wind gusts, etc., are removed. Then, the clip volume is adjusted to an integrated level of -23 LUFS. See Sound Check.
Unfortunately, my sound editing is further challenged by strong tinnitus and reduced hearing in my right ear. Nevertheless, I do my best.
Publishing Sounds
All field sound recording are published along videos in my YouTube channel.
Disclaimer
I am not sponsored by, affiliated with, or receiving any incentives from any brands or products featured in this article. All equipment and software mentioned was purchased at market price, and any mention of specific brands or products is for informational purposes only and should not be considered a recommendation.